Clown(丑角):
In Chinese, it is pronounced as: chǒu jué，Written as:

The Clown is a stylized character type in Chinese opera, typically playing humorous roles characterized by wit and comedic interplay. Wen Chou primarily focuses on acting, while Wu Chou emphasizes martial arts skills. The distinction between these roles and the Painted face in opera is often subtle.
The Clown role, rooted in Chinese drama, traditionally depicts humor and comic relief. Legend states that Emperor Xuanzong of the Tang Dynasty, who had a penchant for performing, would take on the role of a Clown in court performances to amuse his favorite consort, Yang Guifei. This unconventional act by an emperor was considered a threat to his dignity, so he wore a piece of white jade on his nose to maintain some decorum. As a result, Clowns began applying white makeup to their faces, becoming the first characters made up on stage. Emperor Xuanzong is revered as the patron saint of the Chinese theatrical world, which is why the heads of traditional theater troupes often take on the Clown role. The third president of the Chinese Opera Academy was the famous Clown, Mr. Xiao Changhua. Clowns usually do not focus on singing; instead, they emphasize spoken dialogue and acting, with a unique style of speech known as “Jingbai” in Peking Opera. While different opera genres classify roles differently, common categories include Wen Chou, Wu Chou, and Cai Dan (Comic Dan).
In Chinese opera, Clowns are often portrayed as clever and astute characters, such as witty servants, cunning merchants, or other satirical and critical societal figures. Clowns serve not only to entertain but also to propel the plot forward and reflect social realities within the narrative.